Tag: space.com

  • Stars and Oil: Milky Way Shines Over Texas Oilfield (Photo)

    Milky Way from South Texas
    Astrophotographer Matt Smith captured this image of the Milky Way near Batesville in South Texas on May 25, 2015.
    Credit: Matt Smith

    The Milky Way illuminates a pump jack working at night in Texas. While oil fields through the state are well lit, this landscape shot captures the spectacular night sky.

    Astrophotographer Matt Smith captured this image near Batesville in South Texas on May 25. “With the wild weather and abundant clouds, night photography has been hard. But last night, the weather cooperated and I was able to catch a break at work,” Smith wrote in an email to Space.com.

    Our host galaxy, the Milky Way, is a barred spiral galaxy seen as a band of light in the night sky. It stretches between 100, 000 and 120,000 light-years in diameter. It is estimated that the galaxy has approximately 400 billion stars. At the center of our galaxy lies a gigantic black hole billions of times the size of the sun. [See More Stunning Photos of the Milky Way]

    The location was another advantage for Smith.

    “If you can get away from the light pollution of cities and oil field locations, South Texas has some spectacular skies,” he added.

    To see more amazing night sky photos submitted by Space.com readers, visit our astrophotography archive.

    Editor’s note: If you have an amazing night sky photo you’d like to share for a possible story or image gallery with Space.com and its news partners, you can send in photos and comments in to managing editor Tariq Malik at spacephotos@space.com.

    Follow Space.com on Twitter @Spacedotcom. We’re also on Facebook & Google+. Original article on Space.com.

  • Nichelle Nichols, Uhura on 'Star Trek,' Boldly Rides NASA's Flying Observatory

    Uhura flies again: “Star Trek” actress Nichelle Nichols had the chance last month to ride aboard NASA’s Stratospheric Observatory for Infrared Astronomy, a telescope-bearing Boeing 747 airplane.

    Nichols, best known for her role as Lt. Uhura on the original “Star Trek,” joined scientists and educators on board the high-flying telescope, called SOFIA. A recent NASA video documented Nichols’ SOFIA ride for Trek fans everywhere to enjoy.

    Flying on SOFIA has many parallels to the starship Enterprise,” Nichols said in a statement. [The Evolution of ‘Star Trek’ (Infographic)]

    “We went where no man or woman has gone before, and I think that’s what SOFIA gives us — a tool to study where we want to go in the future,” she added. “It’s magnificent.”

    Nichols flew with five educators on Sept. 15 as part of NASA’s Airborne Astronomy Ambassadors program, a professional-development program primarily for sixth- through 12th-grade teachers and science-center educators who fly along with scientists. On their return home, the educators share the scientific research and teamwork they experienced with students and the public at large, encouraging others to pursue science, technology, engineering and math careers.

    Most known for playing the first major African-American female role on television, Nichols has used her fame to advocate for science by recruiting women and underserved candidates for NASA and science careers. Despite being in her eighth decade, she continued this commitment with her flight on board SOFIA.

    Actress Nichelle Nichols and Airborne Astronomy Ambassadors

    Actress Nichelle Nichols and Airborne Astronomy Ambassadors pose in front of the observatory telescope during their preflight safety training Sept 14. Front from left: Susan Oltman, Michael Shinabery, Jeffrey Killebrew, Nichelle Nichols, April Whitt and Jo Dodds. Back: Ivor Dawson.
    Credit: NASA Photo/Carla Thomas

    The craft is fitted with a special door in the rear that opens to allow the telescope to peer outside while flying above the water vapor in the lower atmosphere that makes similar infrared observations impossible on the ground. That way, the scope can get ultraclear images without the monumental cost of launching a new orbiting telescope. It can also be serviced and upgraded far more easily than can a space-based instrument.

    With the NASA ambassadors on board, SOFIA studied multiple star-forming regions, as well as observing a protostar in the constellation Taurus to determine the way in which icy particles in space carry organic compounds to regions where stars and planets form. Nichols and the ambassadors answered questions through social media throughout their preflight training as well as once in the air for their 10-hour flight, which landed right back where it started.

    “Being on the flight with Nichelle Nichols was an incredible capstone to my participation in scientific discovery on SOFIA,” Jeffrey Killebrew said in the same statement. Killebrew is an Airborne Astronomy Ambassador and a teacher at the New Mexico School for the Blind and Visually Impaired. “The process of research itself is amazing, but the social and educational ramifications that she represents are what sent the whole experience beyond the stratosphere,” he said.

    “Being able to talk with my students and show them a video clip of Nichols talking about how Dr. Martin Luther King Jr. encouraged her to stay with the role of Lt. Uhura, and be that one person to positively illuminate African Americans during that tumultuous time of the late 1960s and early ’70s, is very powerful for my students,” Killebrew added.

    Follow Nola Taylor Redd on Twitter @NolaTRedd or Google+. Follow us @Spacedotcom, Facebook or Google+. Originally published on Space.com.

  • SpaceX Wrapping Up Falcon 9 Rocket Failure Investigation

    June 28 Falcon 9 Failure
    Josh Brost of SpaceX said early reports on the cause of the June 28 Falcon 9 failure — that a strut holding down a helium bottle inside a propellant tank in the rocket’s upper stage broke — “have born out.” – See more at: http://spacenews.com/spacex-wrapping-up-falcon-9-failure-investigation/#sthash.3Bw2hw5u.dpuf
    Credit: NASA TV

    LAS CRUCES, N.M. — SpaceX expects to complete its final report on the June 28 failure of its Falcon 9 launch vehicle within a month, but does not yet have a firm timetable for resuming flights, a company official said Oct. 8.

    Josh Brost, a business development executive with SpaceX, said at the International Symposium for Personal and Commercial Spaceflight here that the final report on the failure should be delivered to the Federal Aviation Administration, which licensed the launch,  “maybe in the next month.”

    On that launch, of a Dragon cargo spacecraft bound for the International Space Station, the vehicle broke apart less than two-and-a-half minutes after liftoff. In a July 20 briefing, SpaceX Chief Executive Elon Musk said a strut holding down a helium bottle inside a propellant tank in the rocket’s upper stage broke. That caused the tank to overpressurize and burst, destroying the vehicle. [Watch the SpaceX Falcon 9 Rocket Disintegration in Slow Motion]

    That explanation has held up during later phases of the investigation, Brost said. “The early reports you saw in the press, where we talked about it being caused by a strut, those have born out,” he said.

    The company has not offered a specific timetable for resuming Falcon 9 launches. “We’re hoping to return to flight in the next couple of months,” he said. That launch is expected to also be the first flight of an upgraded version of the rocket with increased thrust from its nine first-stage engines.

    Once the Falcon 9 does return to flight, Brost said, the company will ramp up launch activities quickly. “We’ll start launching at a fairly high cadence next year,” he said.

    This story was provided by SpaceNews, dedicated to covering all aspects of the space industry.

  • How NASA and 'The Martian' Teamed Up to Inspire Students About Mars

    'The Martian
    L to R: Bob Cabana, center director; Jim Green, Ph. D., NASA Planetary Science Division director; Mackenzie Davis, an actress who portrays Mindy Park in “The Martian”; Nicole Stott, a retired NASA astronaut and Chiwetel Ejiofor, an actor who portrays Vincent Kapoor in “The Martian.”
    Credit: NASA

    CAPE CANAVERAL, Fla. ─ More than 10,000 students from across the country recently participated in a digital learning network at Kennedy Space Center with NASA scientists, astronauts and cast members from the new film “The Martian.”

    Actors Chiwetel Ejiofor and Mackenzie Davis of “The Martian” took part in panel discussions on Oct. 1 alongside Robert Cabana, the Kennedy Space Center director and a retired astronaut; Nicole Stott, a former astronaut who spent time aboard the International Space Station; Jim Green, NASA’s director of Planetary Sciences; and other NASA scientists. The scientists, astronauts and actors answered questions from the students about NASA’s goal of a “journey to Mars” and about the new film. 

    Mars is making headlines right now following the announcement of liquid salty water on its surface. The sci-fi thriller, directed by Ridley Scott, opened in theaters Oct. 2 and is a huge box-office hit. NASA is hoping the film will bolster support for its real-life journey to Mars.

    The agency’s lofty goal of sending a crewed mission to the Red Planet in the late 2030s relies heavily upon congressional funding. With an already flat budget, the agency is taking advantage of the blockbuster film to gain public support, which will hopefully lead to continual and maybe even increased funding. [Watch: Learning from “The Martian”: Movies as Teaching Tools]

    “Movies are great,” Cabana, a veteran of four shuttle missions, told the middle- and high school students, many of whom were viewing the event remotely. “They stimulate your imagination and spark public interest. If you think back, most of what once was science fiction is now science fact. The tech in this film is not only plausible, but actual technology we are working on today.”

    NASA is also using the film as an opportunity to educate the public on why the agency wants to go to Mars, and to explain what is real science and what is fiction in the film. Green told the students, “We as humans have the explorer gene.”

    He went on to stress that the journey to Mars is more than curiosity; it’s a way to ensure the survival of the human race.

    “We want to have a backup plan. Look at the dinosaurs: They did not have a space program and look what happened,” Green said jokingly.

    'The Martian' Cast at KSC for Digital Learning

    Participating in a discussion at Kennedy Space Center aimed at students were: Michael Johansen, NASA research engineer; Gioia Massa, NASA project scientist; Nicole Stott, a retired NASA astronaut; Chiwetel Ejiofor, an actor who portrays Vincent Kapoor in the movie; Dave Lavery, NASA program executive for Planetary Exploration and Sarah Ramsey of NASA Communications.
    Credit: NASA/ Kim Shiflett

    Green explained to the students, “NASA’s approach to human spaceflight is not exactly like ‘Star Trek’; it’s not ‘Go where no man has gone before.’ We have 50 years of exploring the Red Planet. There are spacecraft in orbit around Mars and our rovers are up there right now exploring, and collecting data to use for future missions.”

    Davis and Ejiofor told the students how working on “The Martian” gave them an incredible opportunity to learn about the space program and the real work taking place at NASA to prepare for the journey to Mars.

    Davis plays Mindy Park in the film, a NASA satellite communications engineer who discovers that astronaut Mark Watney (Matt Damon) is still alive after being stranded when his astronaut team leaves Mars without him during a violent dust storm.

     For her role, Davis said she absorbed hundreds of Mars images, and when asked about her visit to the Kennedy Space Center, she said, “It’s really overwhelming to be here. Earlier before the panel, someone showed us pictures taken of Mars just five hours ago. The dates on images were sort of nebulous before, but now they really have an impact. It’s all very overwhelming and emotional.”

    Ejiofor plays mission director Dr. Vincent Kapoor in the film. When asked about his thoughts on the movie, Ejiofor said, “This was a great project, and it’s an amazing merging of fact and fiction. I was really excited about the ideas in the movie and actually going to Mars. Because there was so much research and detail, everything had this feel of being deeply realistic.”

    Following the discussion, the actors, along with Cabana, Stott and Green, visited the newly opened Pad 39C, and posed for a photo with Pad 39B — the site from which humans will launch to Mars — as a backdrop.

    Follow us @SpacedotcomFacebook or Google+. Originally published on Space.com.

  • Building Benny's Spaceship from the LEGO Movie

    6-year-old Zadie and her father, Tariq, (who happens to be Space.com’s Managing Editor) build LEGO’s 70816 kit; a nice 5-hour rainy day project, here time-lapsed with commentary plus a music video. Spaceship, Spaceship, Spaceship!

    Credit: @DavidSkyBrody, Producer

  • Eavesdropping on Black Holes: Feasting Giants Sound Like Static

    Artist’s Concept of a Supermassive Black Hole
    Artist’s illustration of a supermassive black hole at the heart of a galaxy.
    Credit: NASA/JPL-Caltech

    If you could hear the stuff that swirls around black holes, superdense white dwarfs and young stars, what would it sound like? Probably like the empty spaces on the radio dial, researchers say.

    Simone Scaringi, a postdoctoral researcher at the Max Planck Institute in Germany, studies “accretion disks” around massive objects. An accretion disk is acollection of matter that gathers in a disc shape around a rotating object. Scaringi and his team looked at flickering in the light emissions of galactic nuclei, black holes, young stellar objects and white dwarfs, which are the collapsed remnants of massive stars. You can hear what accretion disks around black holes sound like here.

    Using observations from NASA’s Kepler space telescope, ground-based instruments and the European Space Agency’s XMM-Newton satellite, the scientists found it’s possible to turn the flickering into sound. [‪Images: Black Holes of the Universe

    “It’s something I always wanted to try and do,” Scaringi told Space.com. “This project gave me a good excuse to give it a try. For me, it’s the obvious way to explain this research. … I can show it’s a different type of noise.”

    The flickering comes from the energy released by material in accretion disks that falls in toward the central object. Scaringi treated the flashes’ frequency as that of a sound wave; for example, a frequency of 10 flashes a second was converted to a wave consisting of 10 cycles per second, or 10 Hertz. There was one “cheat”: Scaringi had to scale the frequencies to the range of human hearing, as most of them would be far too low for humans to hear.

    The result is a white-noise-like sound, which helps illustrate the team’s main finding: The physics of accretion disks scale up and down and remain mostly the same, no matter how massive the object at the center of the disk is.

    Black Hole Quiz: How Well Do You Know Nature’s Weir…

    Black holes are so bizarre, they sound unreal. Yet astronomers have found good evidence they exist. Test your knowledge of these wacky wonders.

    black hole particles escaping

    0 of 9 questions complete

    Black Hole Quiz: How Well Do You Know Nature’s Weir…

    Black holes are so bizarre, they sound unreal. Yet astronomers have found good evidence they exist. Test your knowledge of these wacky wonders.

    Start Quiz
    black hole particles escaping

    0 of questions complete

    To many people, this finding might be intuitive; after all, stirring creamer into a cup of coffee produces a shape not unlike that of a spiral galaxy. And scientists and philosophers have remarked on the similarity between the shapes of spiral galaxies and accretion discs around stars.

    Intuitions, however, are often wrong. Many scientists were unsure whether the same physical laws applied at widely differing scales. One issue, Scaringi said, is relativity. Black holes, for example, have the mass of multiple suns — millions or billions of suns in the case of the supermassive black holes at the centers of galaxies. The difference in gravitational forces between the area near the black hole’s “point of no return,” called the event horizon, and the regions farther away is large, whereas for young stars it is comparatively small.

    Scaringi’s team has shown that the behavior of accretion disks will scale up; one can apply the same basic laws to a large black hole, or a galaxy, or a young solar system. But the mechanism is still unknown.

    “As far as the detailed modeling is concerned, we’re still not there,” Scaringi said. “We seem to observe that it turns out that they all seem to scale, but the detailed physics as to why the scaling relation holds is not clear yet.” 

    The study appears in the Oct. 9 issue of the journal Science Advances.

    Follow us @Spacedotcom, Facebook or Google+. Originally published on Space.com

  • Earth's Gravitational Pull Cracks Open the Moon

    Lobate Thrust Fault Scarps on the Moon
    Lunar Reconnaissance Orbiter Camera images have revealed thousands of young, lobate thrust fault scarps on the moon. Image released Sept. 15, 2015.
    Credit: NASA/LRO/Arizona State University/Smithsonian Institution

    Earth’s gravitational pull is massaging the moon, opening up faults in the lunar crust, researchers say.

    Just as the moon’s gravitational pull causes seas and lakes to rise and fall as tides on Earth, the Earth exerts tidal forces on the moon. Scientists have known this for a while, but now they’ve found that Earth’s pull actually opens up faults on the moon.

    “We know the close relationship between the Earth and the moon goes back to their origins, but what a surprise [it was] to find the Earth is still helping to shape the moon,” study lead author Thomas Watters, a planetary scientist at the Smithsonian Institution’s National Air and Space Museum in Washington, D.C., told Space.com. [The Moon: 10 Surprising Lunar Facts]

    The researchers analyzed data from NASA’s Lunar Reconnaissance Orbiter (LRO), which launched in 2009. In 2010, the spacecraft helped scientists discover that the moon is shrinking: High-resolution LRO images revealed 14 lobe-shaped fault scarps, or cliffs, which likely formed as the hot interior of the moon cooled and contracted, forcing the solid crust to buckle.

    Lobate Thrust Fault Scarps on the Moon Map

    The map shows the locations of over 3,200 lobate thrust fault scarps (red lines) on the Moon.
    Credit: NASA/LRO/Arizona State University/Smithsonian Institution

    After more than six years in orbit and imaging nearly three-quarters of the moon’s surface, LRO has detected more than 3,200 of these fault scarps. These cliffs are the most common tectonic feature on the moon, and are typically dozens of yards or meters high and less than about 6 miles (10 kilometers) long. Previous research had suggested they were less than 50 million years old, and are likely still actively forming today.

    If the only influence on lunar fault scarp formation was the cooling of the moon’s interior, the orientations of these cliffs should be random, because the forces of contraction would be equal in strength in all directions, researchers said.

    Prominent Lobate Thrust Fault Scarp

    Lunar Reconnaissance Orbiter Camera images (LROC) revealed thousands of lobate fault scarps on the moon, including this prominent one in the Vitello Cluster. Image released Sept. 15, 2015.
    Credit: NASA/LRO/Arizona State University/Smithsonian Institution

    “It was a big surprise to find that the fault scarps don’t have random orientations,” Watters said.

    Instead, “there is a pattern in the orientations of the thousands of faults, and it suggests something else is influencing their formation, something that’s also acting on a global scale,” Watters said in a statement. “That something is the Earth’s gravitational pull.”

    Earth’s tidal forces do not act equally across the surface of the entire moon. Instead, they act most strongly on the parts of the moon that are either closest to or farthest away from Earth. The result is that many scarps are lined up north to south at low and mid latitudes near the moon’s equator and east to west at high latitudes near the moon’s poles.

    The effects of Earth’s tidal forces are likely about 50 to 100 times smaller than those from the moon’s contraction, Watters said. A model incorporating the effects of tidal and contractional forces on the moon’s surface closely matched the fault scarps observed on the moon, he added.

    “With LRO, we’ve been able to study the moon globally in detail not yet possible with any other body in the solar system beyond Earth, and the LRO data set enables us to tease out subtle but important processes that would otherwise remain hidden,” John Keller, LRO project scientist at NASA’s Goddard Space Flight Center in Greenbelt, Maryland, said in a different statement.

    If these lunar faults are still active, shallow “moonquakes” might occur along them. These rumbles should happen most often when Earth’s tidal effects are greatest on the moon — when the moon is farthest away from the Earth in its orbit. A network of seismometers on the moon’s surface could one day detect these quakes, Watters said.

    Watters and his colleaguesdetailed their findings in the October issue of the journal Geology.

    Follow us @Spacedotcom, Facebook or Google+. Originally published on Space.com.

  • 'Sounds' of Star Collecting Matter Mimicked | Video

    Credit: Space.com / Audio Created by Simone Scaringi / Visuals: NASA/ESO

  • SyFy Channel's 'The Expanse' App Lets You Fly By Spaceships in 3D

    The cast of SyFy Channel's The Expanse science fiction TV series pose for a photo at New York Comic Con 2015.
    The cast of SyFy Channel’s The Expanse science fiction TV series pose for a photo at New York Comic Con 2015.
    Credit: SyFy Channel

    NEW YORK — Fans at New York Comic-Con got an immersive look into the  SyFy Channel ‘s epic new TV series “The Expanse” in more ways than one: with a Q&A panel and screening of the first episode as well as with a Google-Cardboard-powered 3D tour of the show’s spectacular spaceships to take home.

    As con-goers entered the panel yesterday (Oct. 8) they received flat, plastic-sealed packages which could be folded into Google’s quick-and-dirty 3D viewer made of cardboard, Velcro, a magnet and some plastic lenses.

    Downloading an app and securing a smartphone inside the newly-folded device let viewers — hopefully after leaving the panel — plunge into some of the upcoming series’ most dramatic visuals: the enormous Tycho Station and the Nauvoo, a Mormon missionary ship. When the app was first released in July, at San Diego Comic-Con, it hosted a view of the show’s Canterbury ice freighter. [Our 10 Favorite Sci-Fi Space Stations of All Time]

    The app came from a partnership between Syfy and NBCUniversal Media Labs, according to the press release, and used materials from the show’s visual effects department to make sure the views were authentic. The app can display in 3D — which follows users’ head movements as they look around — or in ordinary 2D.

    This is likely not the last of the 3D viewer’s vistas: “The Expanse” is rich with intriguing locales. The show takes place (in part) on spaceships, a futuristic Earth and the asteroid Ceres — where gravity varies with depth within the spinning colony and members of an underclass are rising to rebellion. The interplay of the different factions, in very different locations, will drive the action of the show. And now, sci-fi fans can get a first-hand glimpse of some of those settings with just a cardboard set of goggles (or even a pizza box and some spare parts — Google gives DIY-ers directions to build Google Cardboard from scratch).

    You can download SyFy’s “The Expanse” VR app at Google Play or  iTunes.

    Email Sarah Lewin at slewin@space.com or follow her @SarahExplains. Follow us @Spacedotcom, Facebook and Google+. Original article on Space.com.

  • Great Scott! 'Back to the Future' Documentary to Bring Back Our Favorite Time Machine

    'Back in Time' Documentary
    The new documentary “Back in Time,” funded through Kickstarter, made an appearance at New York Comic-Con to promote its October 2015 premier.
    Credit: Back in Time Film

    NEW YORK — Where they’re going, they won’t need roads: a new documentary spotlighted at New York Comic-Con examines the making of the “Back to the Future” trilogy and its 30-year impact on pop culture and society.

    Yesterday morning (Oct. 8) at New York Comic Con, 300 fans filed into a panel room at the Javits convention center to get sent back… to 2013, when director Jason Aron first turned to the crowdfunding website Kickstarter to produce a documentary about the beloved time-travel movie trilogy. Fellow filmmakers Louis Krubich and Lee Leshen joined him onstage, where they reminisced about the process and showed clips from the upcoming film that’s poised to release right around Oct. 21, 2015 — the time protagonist Marty McFly visits in the second “Back to the Future” movie.

    Aron first got the idea for the documentary, he said, when he was making a short film that involved a DeLorean, the iconic car that becomes a time machine in the trilogy. Even though the DeLorean he filmed wasn’t decorated to look like the in-movie version, he still found people approaching to take pictures and marvel at the car. Aron became stuck on the idea of the movies’ pop-cultural relevance, even after almost 30 years — and the idea for the documentary “Back in Time” was born. [10 Space Movies to Watch in 2015]

    To fully document the movies’ impact, “Back in Time” talks with its director, creative team — including Steven Spielberg — and many of its stars, including Michael J. Fox (Marty McFly) and Christopher Lloyd (Doc Brown), as well as others involved with the movie or affected by it and the super-fans who are driven to buy up DeLoreans or celebrate the movie 50s-style. Plus, the filmmakers get to ride a Hendo hoverboard. (A surprisingly intense workout, Lee said.)

    The team also announced a traveling tour for the documentary, which will play for New York City Nov. 22 and 23 accompanied by the movie-inspired band the Flux Capacitors and a creator Q&A.

    The trio has hosted its share of panels over the two years of production (and two Kickstarter campaigns — the second, for post-production, raised three times as much as the first), so after a standard question-and-answer session they mixed it up by challenging a fan to chug 26-year-old “Pepsi Perfect” left over from the 2015 depicted in 1989’s “Back to the Future Part II.” (Spoiler alert: he said it tasted “a little flat.” Spoiler alert 2: it wasn’t actually the ancient Pepsi.)

    Then they invited fans to mob the stage for a replica “Pepsi Perfect” — before revealing that in fact the entire audience would each get their own. Great Scott!

    Pepsi Perfect

    The author was sorely tempted to drink this Pepsi Perfect over the course of the exhausting day at New York Comic-Con.
    Credit: Sarah Lewin/Space.com

    Email Sarah Lewin at slewin@space.com or follow her @SarahExplains. Follow us @Spacedotcom, Facebook and Google+. Original article on Space.com.

  • Buzz Aldrin: Apollo 11's 50th Anniversary Should Kick Off Crewed Mars Effort

    'Get Your Ass to Mars' T-Shirt
    Buzz Aldrin modeling his new “Get Your Ass to Mars” T-shirt, the sales of which will benefit his educational ShareSpace Foundation.
    Credit: Buzz Aldrin/Facebook

    The 50th anniversary of the first human landing on the moon would be a fine occasion to kick off a serious effort to put astronauts on Mars, Buzz Aldrin says.

    Buzz Aldrin would like the president of the United States — whomever it happens to be — to announce a firm crewed Mars commitment on July 20, 2019, the “golden anniversary” of the giant leaps Aldrin and fellow Apollo 11 astronaut Neil Armstrong took on the lunar surface in 1969.

    “We can progress with a national holiday of July 20, and begin to remind people of all the great progress that we made in the ’60s and ’70s, and how that reflects through cooperative means into the future,” Aldrin told Space.com. [Buzz Aldrin’s Visions For Missions: Mars and More: Part 1 (Video)]

    “In July 2019, the U.S. president could commit to, within two decades — America will lead international landings on Mars,” Aldrin added. “Clarifying a lot of details could happen before that president leaves office [at the end of his or her] second term around 2024. I think we could then certainly be landing people before 2040.”

    That timeline aligns with that of NASA, which aims to put boots on Mars sometime in the 2030s. On Thursday (Oct. 8), the agency released a 36-page report outlining the basics of its three-phase Mars plan, which involves gaining experience and testing technologies in low-Earth orbit and regions around the moon before heading toward the Red Planet.

    “I’m in the process of going over and studying that particular release from NASA, and I think it’s very well thought-out and very well written, justifying why we’re doing this and how we’re going to go about doing it,” Aldrin said.

    Aldrin is a passionate proponent of crewed Mars exploration with his own ideas about how best to set up a Red Planet outpost. For example, he advocates the use of an “Aldrin Mars cycler” spacecraft that would cruise from Earth to Mars and back again regularly on a special fuel-minimizing trajectory.

    Aldrin explained his Mars plans in the 2013 book “Mission to Mars: My Vision for Space Exploration” (National Geographic), which he wrote with Leonard David, Space.com’s Space Insider columnist. Aldrin then laid his concept out for kids in “Welcome to Mars: Making a Home on the Red Planet” (National Geographic Children’s Books, 2015).

    Indeed, getting kids interested in space and science is a priority for Aldrin, whose ShareSpace Foundation operates with this goal in mind.

    Kids “are about ready to let go of dragons, and we want them to hold onto space,” Aldrin said. “We’re trying to improve our education system, and it starts at this very basic, younger level — to get them really thinking about what the future holds.”

    He is currently selling T-shirts of his own design that depict an astronaut on the Martian surface, with a famous quote from the 1990 sci-fi film “Total Recall” emblazoned above — “Get your ass to Mars.”

    “I couldn’t think of a better way to begin to develop a motto, a potential song and something that is really representing that we’re on the move” to Mars, Aldrin said of the quote.

    All of the profits from sales of the T-shirt, which cost $22.99 each, will benefit the ShareSpace Foundation. The shirts went on sale Monday (Oct. 5) to celebrate World Space Week, the release of the new film “The Martian” and the recent discovery that seasonal dark streaks on some Red Planet slopes are caused by flowing water, Aldrin said in a Facebook post.

    The shirts are available through Oct. 19. You can check them out here: https://represent.com/buzz

    Follow Mike Wall on Twitter @michaeldwall and Google+. Follow us @Spacedotcom, Facebook or Google+. Originally published on Space.com.

  • Is Stephen Hawking Right About Hostile Aliens?

    SETI's Allen Telescope Array
    The SETI Institute’s Allen Telescope Array (ATA) is hunting for radio signals from hypothetical intelligent alien life in our galaxy.
    Credit: SETI Institute

    E.T. was the perfect extraterrestrial: Cute, smart and — best of all — a perfect pacifist.

    Unfortunately, scientists aren’t so sure that an actual intelligent alien would be so benign. In a recent interview with El País, famed physicist Stephen Hawking posited that an alien visitation would put Earthlings in the same position as Native Americans when Columbus landed on their shores.

    “Such advanced aliens would perhaps become nomads, looking to conquer and colonize whatever planets they can reach,” Hawking speculated. [7 Huge Misconceptions About Aliens]

    The likelihood that intelligent life is out there is up for debate; less discussed are the conditions necessary to evolve a life-form that’s both smart and nice. But the lessons from Earth suggest that intelligence and aggression might evolve hand-in-hand.

    Evolving smarts

    No one really knows how humans got to be so clever. What’s clear is that hominin brains began expanding wildly about 2 million years ago. (Hominins include those species after the human lineage — the genus Homo — split from the chimpanzee lineage.) By around 100,000 years ago, humans made the never-before-seen leap to inventing language. And by at least 40,000 years ago, our ancestors were making art.

    “We have brains that are three times bigger than those of our closest relatives,” said Mark Flinn, an anthropologist at the University of Missouri who has researched the emergence of human intelligence. Humans have unprecedented abilities to think about each other’s thoughts and motivations, he said, to play out social scenarios in their brains and to think about the past and future.

    “The general presumption is that this is just sort of a natural outcome of the evolutionary process, but that’s really giving short shrift to the very special circumstances of human evolution,” Flinn said.

    Huge brains are expensive. They take an enormous number of calories to grow and function (up to 50 percent of intake in infancy and childhood, Flinn said) and make humans basically helpless for years after birth.

    “Our babies are born as larvae, basically,” said David Carrier, an evolutionary biologist at the University of Utah.

    Many anthropologists and evolutionary biologists have tried to pinpoint the special circumstances that make these huge brains worth the expense. Charles Darwin suggested that perhaps males developed cleverness to attract females, much as a male peacock developed showy tail feathers to prove to potential mates that he could strut his stuff. But if brains were just for sexual display, scientists would expect to see big differences between male and female intelligence — females, not having to attract mates, shouldn’t waste so much effort on their brains, much as peahens don’t waste effort on growing shiny feathers (theirs are dull and brown). And female humans are just as smart as males.

    Social pressure

    Would smart aliens have energy-intensive brains? Hard to say — perhaps E.T. could evolve a more efficient, yet just as clever, organ. But if aliens were sending signals into space or building rockets, they’d have to have achieved an intelligence that far exceeds what is needed to survive. [13 Ways to Hunt for Intelligent Aliens]

    Humans have done the same, and researchers can’t quite figure out why. The brain could have evolved to allow humans to use tools, but chimpanzees use tools without developing complex languages, art and culture. One provocative theory holds that pathogens play a role: The brain is vulnerable to infection, wrote Hungarian researcher Lajos Rózsa in a 2008 article in the journal Medical Hypotheses. Showing off one’s cleverness may be a way of showing off how resistant one is to infection. After all, if you’re smart enough to invent language and art, you must be pretty good at battling brain parasites.

    So perhaps intelligent aliens might be subject to alien parasites. Flinn and his colleagues favor another theory, though. They argue that humanity underwent a runaway cycle of brain evolution because of hominins’ social nature.

    The ecological dominance-social competition hypothesis works like this: Human ancestors reached a point in which their interactions with one another were the most important factor in whether they’d survive and pass on their genes. Finding food and shelter was still important, Flinn said, but it wasn’t the main factor determining evolutionary success. The difference between clever humans and, say, caribou, is that intraspecies relationships drove evolution the fastest in humans, Flinn said. A herd of caribou has social interactions, to be sure: Males have to fight for mates, for example. But a more pressing concern would be avoiding predators and finding food. For hominins, these external issues became relatively less important, the theory goes, while their ability to form coalitions, to have empathy and to behave in such a way as to win friendships from others became key to their survival. [10 Things That Make Humans Special]

    In this heavily social context, it became very important to be smarter than the competition. Each generation got a little smarter and a little better at building complex social relationships, which created a feedback loop in which even smarter brains were beneficial.

    “The thing about social competition is it’s a dynamic challenge and it’s also creative,” Flinn said. “You need to have the better mousetrap every time. The competition adjusts to the current winning model, so you need to be one better than the current winning strategy.”

    The model seems to work with other clever animals, too, he added. Dolphins, orcas and chimps all form social coalitions with each other and depend on their social groups to survive. It’s possible that this social factor would hold for species on other planets, too.

    The evolution of aggression

    A key part of this theory is competition. Chimps form coalitions that battle against other chimps. And humans are far from peaceful. So if an alien species were to evolve intelligence, would aggression be an inevitable part of the package?

    Perhaps. The evolution of aggression is a question unto itself. Fights to the death occur only in species where the options are mate or die, Carrier said. [Fight, Fight, Fight: The History of Human Aggression]

    “If you can walk away from a fight and reproduce another day, you do that,” he said. “But if circumstances are such that your ability to reproduce is threatened by a competitor, in that situation it makes sense to fight.”

    Environmental factors may determine whether a mate-or-die system emerges. For example, chimpanzees are a particularly homicidal (chimpacidal?) species, Carrier said. Work by primatologist Richard Wrangham at Harvard University and colleagues finds that chimp “wars” arise from a chimpanzee’s territorialism. Small groups of foraging chimps may come into contact with other chimpanzees; killing these competitors (particularly when the foragers have numbers on their side) can be beneficial by opening up access to more resources.

    Deadly male-male competition is less of a way of life for bonobos, humankind’s other closest primate ancestor. Male bonobos stick by their mothers and the species is less territorial than chimpanzees. Bonobo foraging groups are also larger, perhaps because their food sources are more abundant, studies have found. Would aliens act more like bonobos or chimps? Hard to say. Researchers are even split on whether humans are more inherently aggressive or inherently peaceful.

    A controversial theory holds that aggression was a driving force in human evolution. The “Killer Ape” hypothesis argues that the human ancestors who thrived were those better adapted for fighting. For example, Carrier said, modern humans can form fists, which our closest primate relatives cannot. This particular hand configuration may have evolved primarily for better manual dexterity — but it also could have come in handy as a club. Likewise, when human ancestors started walking on two legs, their face bones also evolved to be stronger and less delicate. This could be due to diet, Carrier said, but male face bones are more robust than female face bones, a sign that male-male competition could be at play. In other words, thick facial bones could be a defense against the fist, a weapon that would have become available once human ancestors became bipedal.

    Kind aliens

    If intelligence evolves in the context of social competition, and aggression is the natural outcome of competition, it’s hard to imagine that clever aliens could also be kind. Is this the end for hopes of sweet little E.T.?

    Maybe not. The social competition model doesn’t work without cooperation, after all. Humans fight, wage war and sometimes murder each other. But humans also form coalitions, care for each other and even build coalitions of coalitions, such as nation-states.

    “There are two sides to our nature,” Carrier said. “It’s not that one is any more real than the other. It’s just who we are.”

    Humans are unique among Earth life in forming long-lasting alliances between groups, not just individuals, Flinn said. Chimpanzees can’t pull that off, he said, so it’s not clear that aliens could, either.

    “On Planet X, it may not be inevitable that social competition results in a morality and a creativity of the sort that allows these intelligent life-forms to negotiate with us for a mutually beneficial outcome,” Flinn said.

    On the other hand, chimpanzees don’t explore space. Perhaps a civilization that can band together to reach for the stars has to be cooperative by definition. If that’s the case, humanity might be a greater threat to aliens than aliens are to humanity. Luckily, evolution has given humans the tools for peace.

    “We can, in effect, rise above the design, potentially,” Flinn said. “If we understand what our brains are designed to do, we are going to be way more capable of rising above those tendencies that we have.”

    Follow Stephanie Pappas on Twitter and Google+. Follow us @livescience, Facebook & Google+. Original article on Live Science.

  • Apollo Photos Redux: The Story Behind the NASA Moon Pics Posted to Flickr

     Project Apollo Archive
    The Project Apollo Archive is adding thousands of unprocessed, high-resolution scans of the Apollo astronauts’ photos to Flickr.
    Credit: Project Apollo Archive/Flickr via collectSPACE.com

    The addition of tens of thousands of the Apollo astronauts’ moon photos to an online repository drew worldwide media interest this week, but lost in many of the headlines were the facts behind the four-decade-old photographs.

    Numerous news articles declared the photos were “never before seen” and attributed the upload to NASA, neither of which were true. The images were described as “new” and “secret” and “restored,” when, in fact, they are old, public and untouched.

    “Contrary to some recent media reports, this Flickr gallery is not a NASA undertaking, but an independent one,” said Kipp Teague, the founder of the Project Apollo Archive, in an introduction he wrote for the newly-added gallery. “[This is] a re-presentation of the public domain, NASA-provided Apollo mission imagery as it was originally provided in its raw, high-resolution and unprocessed form.” [NASA’s 17 Apollo Moon Missions in Pictures]

    For 15 years, Teague’s Project Apollo Archive website has been presenting and organizing the photographs taken by astronauts during the 11 Apollo missions, including the six that successfully landed on the moon between July 1969 and December 1972. Those photos include iconic images, such as the shot first moonwalker Neil Armstrong took of Buzz Aldrin standing at Tranquility Base, as well the more seldom seen imagery of landscapes and hardware.

    Initially, the photographs on Teague’s website were NASA-provided scans made from “master dupes” – duplicates of the film used in the astronauts’ Hasselblad cameras. But in 2004, Teague began adding images based on the scans taken directly from the 70mm film magazines, or rolls, as received from NASA’s Johnson Space Center in Houston.

    “The process involves removing each original [flown] film roll from a double-freezer, allowing it to thaw, then digitally scanning each frame using a long roll film scanner,” wrote Teague in 2004, describing how the scans were produced.

    These scans were scaled down and color-corrected before they appeared on the Archive.

    In the decade that followed, users of Teague’s site and the Apollo Lunar Surface Journal, another independent project documenting the astronauts’ activities on the moon, have made requests for an improved presentation of the gallery, as well as asked about the photos’ original resolution and the processing that had been applied to the scans.

    Those requests led to Teague uploading the full-resolution, unprocessed scans to Flickr.

    As the media caught attention of the new gallery though, the story behind the photos — and about Teague, himself — began to spin out of control.

    “In one article I was described as an employee of Johnson Space Center, and in another, the headline indicated that a ‘NASA astronaut’ had uploaded the images,” Teague told collectSPACE in an email. “My role has at most been as a volunteer working with the NASA History Office from my home in Virginia, and alongside Eric Jones in support of his ‘bible’ of the Apollo missions, the Apollo Lunar Surface Journal.”

    Teague began the upload process in late-September with the addition of two magazines of photos. By the time he is finished later this month, he expects the gallery to present at least 13,000 images. [Apollo Quiz: Test Your Moon Landing Memory]

    But none of the photos are new or have never before been seen, said Teague.

    “I do not believe any of these images are actually new to the public, as all have been available over the years by one means or another,” he said. “The grand majority have been available online in one format or another.”

    That is not to suggest that the Project Apollo Archive Flickr Gallery doesn’t deserve to be celebrated in the media and elsewhere.

    Raw, unprocessed photo of the Apollo 14 lunar module “Antares” taken on the moon in 1971.
    Credit: Project Apollo Archive/NASA

    The availability of the full-resolution scans has already led to enthusiasts stitching together collections of the photos to create new panoramas and animations. Teague has set up a new Facebook page where he plans to occasionally share newly-rendered versions of the Apollo imagery.

    In addition to Teague’s efforts to make the raw Hasselblad photos accessible, Arizona State University partnered with NASA in 2007 to digitally scan all of the original film from the Apollo moon missions, focusing primarily on the larger format film used in lunar orbit. That project has produced and put online more than 10,000 metric and almost 5,000 panoramic frames.

    Watch a stop-motion animation created from hundreds of the images in the new Project Apollo Archive Flickr gallery at collectSPACE.

    Follow collectSPACE.com on Facebook and on Twitter at @collectSPACE. Copyright 2015 collectSPACE.com. All rights reserved.